Wednesday, 19 June 2013

There isn't a train I wouldn't take

The railroad track is miles away,
And the day is loud with voices speaking,
Yet there isn’t a train goes by all day
But I hear its whistle shrieking.
All night there isn’t a train goes by,
Though the night is still for sleep and dreaming,
But I see its cinders red on the sky,
And hear its engine steaming.
My heart is warm with friends I make,
And better friends I’ll not be knowing;
Yet there isn’t a train I wouldn’t take,
No matter where it’s going.

-- Travel, by Edna St. Vincent Millay

PS: A poem in lieu of a real post. That Sumida River bridges post (Part 2, Taitō) is consuming my life. It took a long time to find decent information, but once I hit the jackpot, every book and every (Japanese) website took me to a thousand new facts, legends, shrines ...

PPS: Bridges are a bit like trains.

Sunday, 16 June 2013

Hotei, the god with the best job description

Nobody can really explain their origin, but it looks as if Japan's seven lucky gods have been given permanent residence upon these shores.

Art historian Patricia Graham says in her book Faith and Power in Japanese Buddhist Art:

Twentieth-century sources credit the priest Tenkai, Ieyasu’s advisor, with concocting the grouping for the edification of the third shogun, Tokugawa Iemitsu. These sources explain that Tenkai identified the individual gods with seven virtues (longevity, fortune, popularity, candor, amiability, dignity, magnanimity) that kings impart to their subjects if they follow the teachings of the Sutra of the Benevolent Kings (Ninnō-kyō). However, Tenkai’s known writings and Rinnōji records [where Tenkai was active] make no mention of the Seven Gods.

Other scholars suggest that the numerical grouping of seven auspicious deities may have been conceived earlier, during the late Muromachi period, as an adaptation of a Chinese literati painting theme showing an assembly of seven virtuous and illustrious recluses known as the Seven Sages of the Bamboo Grove. By Tenkai's day, most of the deities in the group had become associated with specific virtues, but representations of them together probably did not take place until well after his death in 1643.

Nowadays you see the gods everywhere in Japan, and so-called seven lucky gods pilgrimages (shichifukujin meguri) are popular especially during New Year. Japan's fortuitous collection is based on Chinese deities, with the exception of Ebisu, who's homegrown:

Fukurokuju, god of happiness, wealth and longevity
Jurōjin, god of longevity
Daikokuten, god of wealth, commerce and trade
Benzaiten, goddess of knowledge, music, literature and beauty
Hotei, the jolly god of happiness and good health
Bishamonten, god of warriors
Ebisu, god of fishermen and merchants

My favourite has always been Hotei (布袋), god of magnanimity, happiness and contentment; guardian of children; and patron of bartenders. Is that a great job description or what? He's based on a semi-legendary itinerant Chinese monk called Budai, who lived in China during the Later Liang Dynasty (907–923) and was renowned for his good nature.

Hotei statue in front of a restaurant in Bunkyō-ku

He's always portrayed with a conspicuous potbelly, a round face and a huge smile. It's believed that rubbing his generous tummy will bring good luck.

He carries a cloth bag (his name 布袋 literally means nunobukuro or cloth bag) that never empties and contains all the supplies necessary for himself as well as his followers. He also holds a Chinese fan called an ōgi (). Apparently, centuries ago, aristocracy used this kind of fan to indicate to vassals that their requests would be granted.

Hotei and his bag that never empties. You often see mice with Hotei.
Mice = plenty of rice in the storeroom = contentment.

I have hundreds of photos of Hotei – not quite as many as my Sky Tree photos, but almost. I'll highlight four Hotei temples in or near Tokyo:

Jyōshin-ji (浄心寺) in Mukōgaoka, Bunkyō-ku, is characterized by a brightly painted Hotei that grins cheerfully next to Hongō-dori. The temple itself has a beautiful graveyard under cherry trees; it's on my list of cherry blossom spots for next year.

The painted Hotei statue in front of Jyōshin-ji


Jyōshin-ji has beautiful cherry trees.



Dragon on Jyōshin-ji's incense burner


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Hashiba Fudōson (橋場不動尊) is a small temple in Taitō that's dedicated to the fierce wisdom king Fudō Myōō, but it also enshrines Hotei. I visited it as part of the Asakusa seven lucky gods pilgrimage earlier this year, and it was fitting that Hashiba was the only temple that offered pilgrims free sake. Remember Hotei's job description?

Hashiba Fudōson

Ema at Hashiba Fudōson


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Ryōkan-ji Hoteison (良観布袋尊) in Shibamata is a temple that's worth a visit – not only for the seven lucky gods, but also for the rows of Jizō statues as well as the beautiful higanbana in its graveyard in early autumn. Shibamata is more famous for an old temple called Shibamata Taishakuten (柴又帝釈天), but you might as well pop into Ryōkan-ji, too. The two temples aren't far apart.

Hotei statue at Ryōkan-ji

The very definition of generous ...

The seven lucky gods at Ryōkan-ji

Close-up of Hotei

Jizō statutes at Ryōkan-ji


Higanbana in Ryōkan-ji's graveyard


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Kinpōzan Jōchi-ji (金宝山浄智寺) in Kita-Kamakura has a Hotei statue that stands in his own cave. I wrote about this temple in detail in this post.

The entrance to Jōchi-ji

Rubbing Hotei's belly for good luck

I wish I knew what he was pointing at. The road to happiness?

Visitors also rub his finger and ears for good luck,



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Saturday, 15 June 2013

How to deflower a student

This is a frequent topic on my blog, but my country of origin confuses many. 

Student: Where are you from?
Ru: South Africa.
Student: South America? That's too far!

Student: Where are you from?
Ru: South Africa.
Student: Where is that?
Ru: Err. Africa? South?
Student: ?

Student: Where are you from?
Ru: South Africa.
Student: Really?!
Ru: Yes, really.
Student: Sugeee! You are my first South African!
Ru: Indeed. I've deflowered legions.
Student: ?

I've therefore included, in an effort to enhance cross-cultural understanding, a map of Africa as drawn by my favourite South African cartoonist, Zapiro.

Tuesday, 11 June 2013

The hydrangea hill at Takahata Fudōson

I knew it was too early in the season, and I knew I would get irritable, and I knew it might start raining … but I went anyway. I'm stubborn that way.

The destination was Takahata Fudōson Kongō-ji (高幡不動尊金剛寺), a temple in Hino that's famous for its hydrangeas. It was an impulsive decision, taken after a corporation cancelled their morning lessons at the last minute and I unexpectedly had a few free hours. I calculated that if I moved my butt, I'd get there and back in time for my evening classes.


So butt and I took off on a heavily overcast morning, dreading the crowds of seniors that would also flock to the temple. I'm allowed to say this because I'm firmly entrenched in middle age myself, and can therefore make unflattering comments about gray hair, but …

There. Are. Too. Many. Old. Folk. In. Japan.

I happen to think there are too many people in Tokyo – I can never understand this panic about the declining birthrate – I mean, come on, we can't multiply indefinitely! Earth is only so big! (I know the declining birthrate is why we have proportionately too many old folk, but don't interrupt my rant with logic.)

Anyway. There are too many old folk in Japan and on this particular morning they were all at Takahata Fudōson, not necessarily looking at the flowers, but sitting under trees and eating onigiri and chattering up a migraine-inducing storm. I got claustrophobic, impatient and tetchy within ten minutes flat, but I suspected the hill behind the temple might be quieter, and I was right. Thus it came to pass that I discovered another top spot for hydrangeas in Tokyo. (If you want to see my list of recommended hydrangea gardens, here you go.)

Temples, hydrangea and photographers at Takahata Fudōson.
Click on the photos to see bigger versions.

Various websites say Takahata is one of the three main Fudōson in Tokyo, but nobody could tell me where the other two are. My guess? Narita-san Shinshō-ji (成田山新勝寺) and Meguro Fudōson (目黒不動尊), also known as Ryūsen-ji. I've visited the latter more than once, but I've never written about it. Too much to see in Tokyo, too little time to describe it.

What is a Fudōson? It's a temple that honours the "immovable wisdom king", a deity called Fudō Myōō (Ācalanātha in Sanskrit). That "immovable" refers to his ability to remain unmoved by temptation, and his role is to teach self-control. He's also called the destroyer of delusion. He usually holds a sword, and has one fang pointing up and another pointing down. His statues are generally placed near waterfalls or deep in the mountains.

He's supposed to look very fierce, but I always grin when I see his toothy scowl. His dentures are too cute.

I did pause to take a photo of Takahata Fudōson's
famous five-storied pagoda.

I'm afraid I didn't take his photo at Takahata; as a matter of fact, I barely took pictures of any buildings. I leopard-crawled through the crowds and scampered up the hill next to the temple, where you can follow a trail that's supposed to be a miniature Shikoku pilgrimage: it has 88 Jizō statues, each representing one of the Shikoku temples. It was much quieter than the temple itself, except that you're periodically inundated by a gang of marauding obachan. They hunt in packs. They're super-scary.

Then it started raining, and I got lost. It's a big hill with many forks in the trail, and I fled in a panic whenever I encountered a mob of seniors without really looking where I was going.

Look, for the record, I have a huge soft spot for old folk, but not a prattling female posse. I like the mavericks who travel alone, like the ojiisan who called me over to a Jizō that was half-hidden behind hydrangeas. He proudly shared his discovery with me, and instructed me where to stand to get the best shot. We looked at each other's cameras (his a Nikon, mine a Canon), playfully scoffed at our mutual choices, agreed that the flowers were sugoi and the rain was zannen but necessary, and then we went our lonesome way.

Very civilized.


Lest you accuse me of gerontophobia, no, my real phobia is demophobia, ochlophobia, enochlophobia. Clearly I'm not the only person who loathes crowds; why else would this particular fear have three different names?

So there I was, lost on a mountain, feeling thoroughly disgruntled and muttering Afrikaans four-letter words. Then common sense, that scarcest of commodities, prevailed. I stopped, slapped myself on the wrist … it's mosquito season … and told myself to grow up and get a life. I was in a gorgeous hydrangea forest, covered in rain so soft it was actually just very wet mist, and almost alone because the rain had chased most visitors away. I wrapped a small towel around my camera, turned my face up to the rain and smiled.

Life was good, after all.

How to get there

Take a Keio Line Special Express from Shinjuku Station, but make sure your train is bound for Keio-Hachiōji, not Hashimoto. It takes only 30 minutes to Takahatafudō Station, and the temple is a five-minute walk from the station. 

The hydrangea hill next to the temple. It was raining at this point,
and I was blessedly alone.

Well, almost.
  
Lacecap hydrangea

Lacecap hydrangea

Lacecap hydrangea




The face of one of the Jizō statues. They all have different expressions.

This guy is my favourite: he has a Japanese apricot (or plum) in his hand.
Umeshu!

Close-up of plum and grains of rice in his hand. It's left as an offering.

Origami crane and one-yen coin left as offerings

Kitsune at a small Inari shrine on the premises

There's a statue of Hijikata Toshizō (土方 歳三), vice-commander
of the Shinsengumi, at Takahata Fudōson. He was born in this area.

Ema at Takahata Fudōson

Ema at Takahata Fudōson

Manhole cover with kingfishers

Statue of Fudō Myōō at Shiofune Kannon-ji in Ōme


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Friday, 7 June 2013

How to control a killer flood on the Sumida River

This is epic! It started with mild curiosity. Why doesn't Tokyo do more with its rivers? Instead of entombing them in concrete, why not more parks and boats and bridle paths?

Then it escalated. Where does the Sumida River start? Why is the Arakawa in Tokyo such a straight line? Surely that's not natural? Iwabuchi sluice. What's that? Great Kanto Flood 1910. Cripes, look!, Sensō-ji was under water. Why is there so little information in English? Wait, hang on, Wikipedia is wrong!

Thus idle speculation unleashed a growing fascination with Tokyo's flood control techniques: a complex system of rivers, canals, sluices, locks, controlled water levels, super levees, evacuation areas and a massive underground discharge channel in Saitama. Research proved interesting but frustrating, so I rejected academia in favor of empirical evidence: I walked along Tokyo's most important waterway, the Sumida, from its origin in Kita-ku to Tokyo Bay. I covered 25 km and passed over/under 26 bridges for cars and pedestrians.¹

The original red sluice gate, Akasuimon, at Iwabuchi

This is such a complex topic that it justifies its own blog – nay, book! – but I'll do my best to limit myself to three parts:
  • the upper section of the Sumida and the origin of its present-day flood control system;
  • the middle section in Taitō, where I live, undeniably the part with the most interesting history, sights and bridges;
  • the lower section where the river forks at Tsukudajima before flowing into Tokyo Bay.

Let's start at the top, shall we?

What we now call the Sumida River² (隅田川 Sumidagawa) starts in Kita-ku where the Arakawa (荒川) splits into two: a river that flows through the Iwabuchi sluice gate and follows a natural course (called the Sumida) and an entirely man-made canal that follows a straight course (called the Arakawa).

Yes. This was another surprise. The Arakawa in Tokyo itself is actually a massive artificial canal built with one single purpose: to prevent disasters in the shitamachi. We forget that Tokyo is a harbor city crisscrossed with rivers, and that the shitamachi deserves its name: a low-lying area that used to be a swampland and is still vulnerable to floods.

Japan's rivers are prone to flooding because they are relatively short and flow rapidly down steep slopes. The ratio of peak flow discharge³ to basin area is relatively large, ranging from 10 times to as much as 100 times that of major rivers in other countries. The water level rises and falls very quickly. The river regime coefficient – the ratio of the maximum discharge to minimum discharge – is between 200 and 400 times larger than that of continental rivers.

Yakumo Jinja (八雲神社in Iwabuchimachi  is one of the oldest shrines
in this area. Yes, of course I visited shrines, too!

Yakumo Jinja

Tokyo's main river is the Sumida. I couldn't determine the origin of the name, but early Heian literature refers to a ferry that transported travelers across the river at a settlement called Sumida Juku (near present-day Mukōjima). Old records indicate, for example, that Minamoto Yoritomo stationed many troops at Sumida Juku. 

The river – and life – trundled along until the arrival of Tokugawa Ieyasu, the man who created a new capital at a little fishing village called Edo in the early 1600s. Edo, which used to be a huddle of huts near the mouth of the Sumida, was transformed into a huge political city by aggressive public works including land reclamation, new canals and clean water supply systems.

The first bridge across the Sumida was Senju-Oohashi, originally built in 1594; the second was Ryōgokubashi, built in 1659. Ryōgoku means "two provinces", because it connected the old provinces Musashi and Shimōsa.

Life continued, the river flooded, people died. A turning point arrived in 1910, when a torrential downpour of 300–400 mm fell between 8 and 10 August. The Sumida swelled, broke through several embankments and turned the city from Iwabuchi to Kameido into a vast inland sea. The flood water took two weeks to subside, affecting 1,5 million people and leaving 270 000 homes flooded. Damage totaled more than ¥120 million yen, equivalent to 4,2% of the gross national income at the time.4

The government's response was to build an artificial channel to protect downtown Tokyo from further flood damage.5 The project involved construction of a sluice gate at Iwabuchi in Kita-ku and a massive diversion channel 500 meters wide and 22 km long.

This notice board indicates the old red sluice (赤水門), the new blue sluice
(青水門), the Sumidagawa (隅田川) and the Arakawa (荒川).

The old red sluice gate with a marker that indicates previous flood levels.


The first sluice gate, called Akasuimon, was completed in 1924, on the spot where the Shingashi River joins the Arakawa. It was designed by Aoyama Akira, an engineer who was an architectural consultant on the Panama Canal a decade earlier. When the river was in flood, the sluice gates would be closed, controlling flow volume in the river’s main course and dumping the flood waters through the wide channel directly into the sea. Construction, which took a total of twenty years, was completed in 1930. This channel is also called the Arakawa, but it's not a real river: the "real" Arakawa actually morphs into the Sumida.

This sculpture on Nakanoshima, a small island near the red sluice gate,
is called "piercing the moon".

Tokyo's only sake brewery, Koyama Shuzō, can be found in Iwabuchimachi.
It's said to be the only place in Tokyo with water pure enough for sake.

Above, the sake brewery; below, markers that
indicate the distance to the ocean and water levels



It wasn't the last of the floods. Typhoon Isewan in 1959, the strongest ever to hit Japan, killed 5098 people in Japan. Nagoya was the worst affected, but the typhoon also caused massive damage in Tokyo. Read about Isewan here and here (PDF).

Isewan won't be the last typhoon, but next time, perhaps, Tokyo will be better prepared. A bigger sluice gate, this time blue, was constructed slightly lower down the Sumida in 1982. Super levees and evacuation centres have been built along the river (the biggest evacuation centre, between Senju-Oohashi and Senju-Shiori-Oohashi in Minami-Senju, can accommodate 120 000 people), sluice gates and pumping systems have been added to various rivers in the shitamachi, and water levels in especially Kōtō-ku's rivers have been lowered. Finally, a massive underground discharge system called G-cans has been constructed in Kasukabe, Saitama. I haven't visited it yet, but you can read more about it here and here.

The new blue sluice gate

Here you can see the old and the new sluice gates in one shot.

You're wondering about tsunami damage in Tokyo? Uh-oh. If there's a quake right underneath Tokyo, or if it's so near that a tsunami comes funneling through Tokyo Bay … let's just say I hope this apartment building survives and I hope the 11th floor is high enough.

If not, shōganai.

If you'd like to walk along the Sumida yourself, I suggest you skip the upper part except for Iwabuchi. If you walk across the old red sluice gate, you'll reach a small, quiet island called Nakanoshima, where you can relax under a tree, have a picnic, watch the mighty angry river (Arakawa means angry river) as it divides into two.

The rest of the upper Sumida is really not that attractive. The Hero graciously offered to be my chauffeur, so we covered the section from Iwabuchi to Senju-Oohashi on a motorbike. I returned to walk from Adachiodai Station along the river, but had to take a shortcut via Kita-Senju Station to Horikiri Station, because there's no paved walkway along the river in that area.

I'll highlight two areas.

Firstly, Adachiodai Station on the Nippori-Toneri Liner is situated on the narrowest strip between the Sumida and the Arakawa. It's wide enough for a station, a row of apartment buildings, a road … and that's that. I tried to find a high spot where I could get both rivers into one shot, but didn't succeed.

If both rivers flood at the same time, that's it, bye-bye station.

This is the Sumida seen from Adachiodai Station.

Here's the Arakawa on the other side of the station.

The Nippori-Toneri Liner bridge across the Arakawa

Arakawa

See that apartment building? On its right is the Sumida, on its left is the Arakawa.

Toshibashi

Kodaibashi

Otakebashi

Otakebashi

Secondly, Horikiri Station, which is near the only canal that connects the two rivers downstream. It's a fairly bleak industrial area, but I wanted to see the sluice, the canal and the super levee on the Sumida in that area.

Sluice gate on a canal between the Sumida and the Arakawa, near Horikiri Station


The Arakawa, with the canal leading to the Sumida

The canal leading towards the Sumida

The canal flowing into the Sumida

Levee on the Sumida

Horikiri Station

Coming up, Part 2, from Shirahigebashi to Ryōgokubashi.

Sources

A Companion to Japanese History, edited by William M. Tsutsui
Flood Prevention and Remediation, edited by F. C. B. Mascarenhas
Inland Flood Hazards: Human, Riparian, and Aquatic Communities, edited by Ellen E. Wohl
River Basin Management IV, edited by C.A. Brebbia

Notes

1) There are 26 bridges for cars and pedestrians across the Sumida; several more for railways and water supply pipes. Once I've done all three Sumida posts, I'll publish a list of all bridges with their names and photos.

2) River is kawa in Japanese, but it's pronounced gawa when it's combined with certain words. Sumidagawa would be translated as Sumida River; Arakawa as Ara River. It's usually translated as Arakawa River, but that means Ara River River, which is silly. My imperfect solution is to refer to them as the Sumida and the Arakawa.

3) Data provided by the Ministry of Land, Infrastructure, Transport and Tourism

4) Data provided by the Arakawa Downstream River Office (荒川下流河川事務所) in the Ministry of Land, Infrastructure, Transport and Tourism

5) One wishes this government were in charge right now, to provide an adequate response to the lingering after-effect of the Great Tōhoku Earthquake.

This is the Arakawa just before the red sluice gate.
That's Saitama on the other side.

Fishermen

Taking a nap on Nakanoshima

Boats 'n stuff

He's playing a saxophone. This photo was taken near Adachiodai Station.

Suntanning next to the Sumida near Adachiodai Station

Fishing!

More fishing! The fishing shots were taken near Otakebashi.

Working!

There's The Hero, patiently waiting while Ru faffs with cameras.
He deserves a medal for his assistance.
(This is a bridge across the Shingashi River near the red sluice gate.)

Sunset on the Sumida, and time to say goodbye.


View Sumida River from Iwabuchi to Horikiri Station in a larger map

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